works

  • dendrites [neurosonics 3b] for spatial sound. 18′
  • auras [neurosonics 3a] for clarinet, saxophone, percussion, violin, cello and piano. 8′
    • for Latitude 49, with support from the Aaron Copland House and the Brush Creek Foundation for the Arts
  • pathways, bursting [neurosonics 2], for string quartet and spatial sound, 21’
    • for the Spektral Quartet, with support from New Music USA
  • the has-been to beachey, for mezzo-soprano, violin and cello, 2016.  6’
    • for Access Contemporary Music and the 2016 Ear Taxi Festival
  • atlas fractures for wind ensemble, 2016.  9’
    • consortium commission by the Bethel College Wind Ensemble and others
  • embers, relit for clarinet, violin and cello, 2015.  4’
    • for CULTIVATE and Musicians from Copland House
  • embers, fused to ash for large ensemble, 2015.   9’
    • for Alarm Will Sound and the Mizzou International Composers Festival
  • Neurosonics I for spatial sound, 2015.   7’
    • for the Arts | Science Initiative at the Reva and David Logan Center for the Arts
  • moments from “Killing the Goat”, for chamber ensemble, 2014.  7’
    • for the Aspen Contemporary Ensemble
  • Killing the Goat opera for 3 voices and chamber ensemble after Mario Vargas Llosa, 2014.  40’ 
    • for eighth blackbird, the Pacifica Quartet and the Contempo Chamber Players
  • Strobe for orchestra, 2013. 10’
  • Airborne Contraption for solo violin, 2013.   6’
  • Mesospherics for electronic playback, 2013.  10′
  • Flights for solo viola, 2012. 8’
  • The Sacred and the Profane for string quartet, 2010 (rev. 2012).  13’
    • for the Spektral Quartet
  • Ancient Vigils for piano quintet, 2012.  8’
    • for the New York Youth Symphony Chamber Music Program
  • The Rarer Action for mezzo-soprano or baritone and chamber ensemble, 2012.  9’
  • Frescoes for flute, clarinet, violin and cello, 2012.  4’
    • for the Atlantic Music Festival
  • Warrior for flute, clarinet and percussion, 2012.  13’
    • for eighth blackbird
  • Three Tempest Airs for soprano and piano, 2011.   6’
  • The Concerto of Deliverance for orchestra, 2010.   11’
                   for the St. Paul Chamber Orchestra
  • The Generator for clarinet, viola and piano, 2010.  8‘
                       for eighth blackbird
  • The Face without Pain or Fear or Guilt for chamber ensemble, 2009.  8’
  • Orbits for viola and piano, 2009.  9’
  • Purpura Songs for baritone and chamber ensemble, 2008.  3’
                   for the Benson Forum on Creativity
  • Finnegan’s Logic for large ensemble and electronics, 2008-2009.  16‘
                       for the Eastman Composers Sinfonietta
  • The Immovable Movers, for chamber ensemble, 2008.  6’
  • Taibhse for electronic playback, 2008.  5’
  • Identity for orchestra, 2008.  10’
                        for the 2008 Minnesota Orchestra Composers Institute
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